A diptychs creation showing the past time by juxtaposing an original photo and its retouching with brush on a black background; the photographs on white background are portraits.
Other diptychs are associations of original photographs, composed to create a new shape for a new image: the graphic composition obtained from the assemblage... any work produced by combination will be in a diptych.
Two opposed panels make up these works of another time, images with a monochrome, black and original relief. With a brush, he draws the images in diptychs...
The artist recreates the work in strict associations which recount the age of the original photograph and the time spent. The assemblage obtained in this way is an absence, as the retouching never meets its equal; it faces it like an inaccessible complement.
The photographer is testing a new dimension of Black and White; he pushes tirelessly the limits of personal research to include two stages: A research in himself that is undoubtedly his muse and his engine. The author wants himself as an inkwell, he turns over images again and again, triturating them with his brush and touching them with its involvement.
On a white background, he forges the boundaries of those illustrations of a new kind; the rhythm of his thoughts emerges from his creation to carry us in his graphic universe. Then everything is mixed, the photographs emerge blended to their diptychs. The division gives birth to the unity and vice versa. A world of interdependence has never been summarized in so little. The temporal and fragile images remain eternal, in our memories at least...